Hollywood Has to Learn to Love AI. You Too, Mr. Beast
October 31, 2025
This essay is the work of a dumb dinobaby. No smart software required.
Russia’s leadership is good at talking, stalling, and doing what it wants. Is OpenAI copying this tactic? ”OpenAI Cracks Down on Sora 2 Deepfakes after Pressure from Bryan Cranston, SAG-AFTRA” reports:
OpenAI announced on Monday [October 20, 2025] in a joint statement that it will be working with Bryan Cranston, SAG-AFTRA, and other actor unions to protect against deepfakes on its artificial intelligence video creation app Sora.
Talking, stalling or “negotiating,” and then doing what it wants may be within the scope of this sentence.
The write up adds via a quote from OpenAI leadership:
“OpenAI is deeply committed to protecting performers from the misappropriation of their voice and likeness,” Altman said in a statement. “We were an early supporter of the NO FAKES Act when it was introduced last year, and will always stand behind the rights of performers.”
This sounds good. I am not sure it will impress teens as much as Mr. Altman’s posture on erotic chats, but the statement sounds good. If I knew Russian, it would be interesting to translate the statement. Then one could compare the statement with some of those emitted by the Kremlin.
Producing a big budget commercial film or a Mr. Beast-type video will look very different in 18 to 24 months. Thanks, Venice.ai. Good enough.
Several observations:
- Mr. Altman has to generate cash or the appearance of cash. At some point investors will become pushy. Pushy investors can be problematic.
- OpenAI’s approach to model behavior does not give me confidence that the company can figure out how to engineer guard rails and then enforce them. Young men and women fiddling with OpenAI can be quite ingenious.
- The BBC ran a news program with the news reader as a deep fake. What does this suggest about a Hollywood producer facing financial pressure working out a deal with an AI entrepreneur facing even greater financial pressure? I think it means that humanoids are expendable first a little bit and then for the entire digital production. Gamification will be too delicious.
Net net: I think I know how this interaction will play out. Sam Altman, the big name stars, and the AI outfits know. The lawyers know. Who doesn’t know? Frankly everyone knows how digital disintermediation works. Just ask a recent college grad with a degree in art history.
Stephen E Arnold, October 31, 2025
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